Together with these physical changes, Prattyush has made major contributions in almost all sections of his performances giving them a very individualistic approach. Already equipped with a solid technique and rich repertoire of his gharana, he exhibits a rare musical sensibility evolved through constant experimentation of absorbing from different genres of music.
He is the first sarodia to play the complex tappa style of singing on the sarode .
Mishra Khamaj Tappa
He plays novel ladant and jhala with cross-tempo variations packed with bols (multiple-pluckings) on chikari strings.
He also tunes main open strings of the sarode to raga notes.
He has a unique fingering technique and plays three-and-a-half octave movements with ease.
He has mastered fluent passages of sparsh and krintan
Raga Mishra Mand.
Using double-stops; he plays harmony notes and chords.